Thursday, August 20th, 2009
by John Waters
Electric drum machines are melodic instruments which allow you make song from hundreds of built in sounds. Electric drum machines are dissimilar from electric drum kits which are actual electronic drums that you play to provide beats and pattern.
Electric drum machines come programmed with a wide selection of sounds. These sounds are then combined together in numerous ways to create patterns. The patterns are then joined together to make music.
You create music with electric drum machines by chaining together multiple pieces of these patterns to form songs. These machines support all types of music from jazz to rock.
You may use rhythm patterns already preset or you can create your own and add them using the on board sequencer. Electric drum machines are used to combine these patterns in a never ending variety of ways. You can store around 100 of your creations to play back any time you need.
Electric drum machines are going to be available at numerous prices and with different directions. For instance, the Alesis SR18 Drum Machine costs a couple of hundred dollars and includes one hundred presets and lets you create 100 patterns. It has a headphone output so you can make music without disturbing any one. It has an effects engine with compression, EQ and reverb so you can customize your sound.
Electric drum machines can be bought for around $100. The Zoom MRT3B is one of these cheap models that pack in a lot for the cost. It has a hundred drum sounds and seventy drum kits. It offers 396 presets and ninety nine slots for custom patterns.
Electric drum machines are tiny and straightforward to take with you. They look like a small box with varied buttons and dials. These musical devices have been around since the 1930s and have experienced quite a few changes thanks to technological advances the past few decades.
Electric drum machines not only produce drum sounds but sounds of other percussion instruments also. Some have small pads that can be used for finger drumming. Each pad is allotted to a selected instrument like a snare, cymbal or bass.
If you are looking to learn how to play the drums or want a collection of drums for practice or for your band, you could be better off with electric drum kits or even a set of Sonar drums. If you are looking for something to provide back beats or a synthesizer for making your own music then electric drum machines are a sensible choice.
Electric drum machines are not just for fun though. Many bands and rock musicians use these devices and need folk skilled in their operation. It isn’t difficult to learn how to use a drum machine, it just takes practice.
Thru the utilization of electric drum machines, musicians can practice and perform even if session drummers are not present. Because of this, drum machines are vital instruments.
Electric drum machines are enjoyable instruments for anybody that is into music. They’re reasonable and straightforward to program. They are little and light. Electric drum machines make good gifts too. And as the output can go to headphones, anybody can create music anywhere at several hours and not trouble anybody else.
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Wednesday, August 19th, 2009
by Patty Carlson
FOR DECADES, metal guitarists have favored Ibanez guitars for their flat fretboard, greasy-fast playability and modernized double locking tremolos. But for a guitar to appeal to devoted metalists, it must do more than play like the devil; it also has to look the part, as well.
After the success of the mildly radical Iceman guitar, Ibanez was convinced that the time was right to build a truly outrageous instrument. The new Xiphos is the company’s first guitar specifically built for hardcore and metal players. The Xiphos Ibanez electric guitar takes its name from the brutally effective double-edged sword used by Greek and Spartan soldiers, and true to form, it delivers notes with surgical precision. It is one of the fastest guitars in the Ibanez line, and its specially selected DiMarzio D Activator pickups give it a truly demonic edge.
THE CHALLENGE FOR Ibanez’s electric guitar designers was to create a guitar shape that was incredibly aggressive without giving up any of Ibanez’s famous comfort and playability. They achieved this by building the guitar around a five-piece maple Wizard II neck-through design. This rock-hard centerpiece creates enormous sustain, and because the bridge is mounted in this same dense plank, note definition and clarity are maximized. The remainder of the radical X-shaped body is made from mahogany, which adds warmth and depth to the maple’s bright core. Although the Xiphos’ long beveled points may look unwieldy, the guitar is surprisingly lightweight and superbly balanced.
An Ibanez electric guitar this wild would not be complete with an off-the shelf finish. So Ibanez chose to cover the Xiphos in a sparkling color-shifting paint that they call their Chameleon finish. As you move the guitar, its finish appears to quickly change colors, like an alien cyber skin. The Wizard II’s neck shape is thin but not squared, and its somewhat rounded feel is enhanced by the thick Chameleon finish. The fl at fretboard and jumbo frets produce Ibanez’s trademark feel. Only a light touch is required to sound a note, and the action is low and level. This style of neck is purpose built for the player that wants to play fast, sweep through the strings, use two-handed techniques and move across the board in a nonlinear fashion. The Xiphos Ibanez Electric Guitars feature Ibanez’s Edge III double-locking tremolo. One of the company’s most advanced Floyd Rose-derived bridges, it boasts easy tuning adjustment and a very unobtrusive profile. Its tone is very neutral, and it is certainly capable of performing any whammy trick you can imagine. The Ibanez electric guitars new weapon may be the first production guitar to feature DiMarzio’s brand-new D Activator pickups as original equipment. They are designed to accurately deliver the same resonant peaks, long sustain and tantalizing harmonics found in today’s hottest active pickups. Being passive, they have organic tone and natural response.
IF A RAZOR blade was musical, it would be the Xiphos. Its acoustic clarity and sharp definition mix perfectly with the DiMarzios’ rich output and harmonic enhancements. Plugged straight into a Marshall JVM, the Xiphos delivered a very Zakk-like tone. The DiMarzio’s excited harmonics made chords sound enormous, almost as if I was using a chorus. But the punch from the Xiphos’ maple core pushed notes right through the Marshall on single note attacks. Even when I played at top speed, every note was clear and distinct. Staccato blasts, especially, cut the air like a machine-gun’s rattle, while properly picked sweeps sounded like alternate-picked runs.
We tested the Xiphos’ ability to produce clean tones with my modified Mesa RoadKing. In no time, I was finger picking student exercises and recalling my favorite etudes, as if the Xiphos was a fine classical guitar. Even though the DiMarzios are built to sound like active pickups, their passive design ensures a warm response.
The Bottom Line Is
WITH ITS FIVE-PIECE Wizard II neck, Ninja-weapon body, double-locking Edge III trem and DiMarzio D Activator pickups, the Xiphos Ibanez Electric Guitars are one of the most aggressive guitars on the planet. Hardcore ax players may try this guitar because of its hot looks, but they’ll buy it because of its lightning-fast playability and blowtorch tones.
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Tuesday, July 21st, 2009
by Davis Hawthorne
Frank Sinatra is rightful known today as an entertainment icon, but many forget that there was a time when he was just another washed up teen idol trying to reinvent himself artistically and revive his career. After his teen idol stardom ended, Sinatra went through a rough period that he described as ‘all Monday’s’ when his personal life was in shambles, his professional prospects non-existent and his financial status in ruin.
To make things even worse, his bosses at Columbia Records were mis-managing his talent in an ill-advised effort to make him a ‘novelty singer’. This included a short lived pairing with Mitch Miller–the very low point of which was a horrible record called ‘Mama Will Bark’. Here the greatest voice of the 20th Century recorded a duet with a busty actress named Dagmar and a dog impersonator barking and howling in the background. These records were poorly received by the public–not a surprise in retrospect–and in 1952 Columbia Records dumped Sinatra.
In 1953, June Hutton and Jo Stafford brought him to the attention of Capitol Records A&R man Dave Dexter, Jr. This led to a deal with the label, which began an era that many ‘Sinatra-philes’ consider his best work. Frank worked with Axel Stordahl (June Hutton’s husband, with whom he had worked at Columbia) and these sessions produced some decent recordings, including “I’m Walking Behind You” and “Lean Baby”, but nothing incredibly significant. Dexter wanted Frank to try something different, and with Stordahl leaving to accept a job with Eddie Fisher in New York, he agreed reluctantly to a pairing with Nelson Riddle.
To say that the first Sinatra/Riddle session was a success is an understatement, and “I’ve Got The World On The String” is somewhat of a ‘shot heard round the world’ for Sinatra’s career and popular music in general. The Ted Kohler/Harold Arlen song is given new vibrancy with Riddle’s buoyant arrangement and Sinatra’s new found vocal maturity. The song was a modest commercial success at the time, reaching #14 on the single charts, but became a classic. It was also a favorite of Sinatra himself, and he continued to perform the song live, frequently as a show opener, for the rest of his life.
When examined in a modern context, Sinatra’s career ‘reinvention’ is almost mind boggling. It’s difficult to envision a star of today popular with the teenage set–like The Jonas Brothers for example–becoming accepted as a serious vocalist for adults. Sinatra not only became a critical and popular sensation, but would go down in history as arguably the most important entertainer ever in American popular culture. None of this would have happened were it not for the magical pairing of Sinatra with Nelson Riddle.
About the Author:
David Glisan is a freelance writer covering MMA and boxing. He is also the heavy metal editor for The Savage Science, a website covering both MMA and music, and is a published expert on both heavy metal and jazz. He contributes to many
MMA news websites and provides
UFC news for the broadcast and online sports media. He’s also a published expert on boxing, pro wrestling and judo.
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Tuesday, July 21st, 2009
by David Glisan
One of the frequently heard criticisms of Frank Sinatras work is that he was essentially a one trick pony. He is often accused of not being a technically adept vocalist, and simply reworking a formula over and over again. While Sinatra certainly knew what worked for him, and what kind of songs and arrangements he liked this assertion is patently unfair and displays a profound ignorance of the entire body of his work. If you dig deeper in the Sinatra oeuvre, youll find some amazing examples of vocal prowess. Perhaps his best work in this regard came from his collaboration with legendary Brazilian guitarist Antonio Carlos Jobim.
Jobim is often credited with popularizing Bossa Nova music outside of Brazil. He worked with Sinatra on an album of samba tinged standards entitled Francis Albert Sinatra and Antonio Carlos Jobim. The work was a critical and commercial success, and Sinatra would hold Jobim in very high regard for the rest of his life”both as a musician and as a friend. After Jobim entered a semi-retirement in the 1970s and 1980s where he did little collaboration with other artists, Sinatra would often introduce his performances of Jobim songs live by remembering his Brazilian colleague in very fond terms or expressing the hope that the two men could work together in the future.
“Wave”, written by Jobim and arranged by Eumir Deodato, is arguably the best of all of the Sinatra/Jobim collaborations. It features some great singing by Sinatra, including perhaps the lowest notes ever recorded by “The Voice”. Years later, during his periods of ‘retirement’ it is said that Sinatra would listen to “Wave” just to hear how good he sounds hitting the bass notes.
This song was to have been a featured track on a second collection of Sinatra/Jobim collaborations, but for some inexplicable reason it was never released as such. The story that has circulated over the years is that the Sinatra/Jobim album was all set to be released, and for some reason it was put on the back burner so that Reprise could release the concept album “Watertown” instead. As an artistic decision, it’s tough to fathom the rationale if this is the case. “Watertown” sold fewer copies than any other Sinatra release on Reprise, and to call it an “acquired taste” is being charitable. Another story is that Sinatra himself nixed the release because he didn’t like the cover art. The braintrust that came up with the idea of photographing the Chairman of the Board wearing a windbreaker and standing in front of a Greyhound bus could have been responsible for depriving the world of a second sublime collection of Sinatra with a bossa nova twist.
“Wave”, along with the majority of the songs intended for the “Sinatra/Jobim” album finally surfaced on “Sinatra and Company” in 1970. The “b” side is some of Sinatra’s ill-fated attempts to cover popular songs of the day (“Close To You”, It’s Not Easy Being Green”, “Leaving On A Jet Plane”). These are recordings that even the most devoted Sinatra-philes collect for the sake of completing a collection only, and a stark contrast to the masterful work with Jobim on the album’s “A” side. “Wave” also appeared on the Reprise box set and of course of the “Complete Reprise Recordings” suitcase collection.
Will Friedwald, in his book on Sinatra’s music “Sinatra: The Song Is You” described the songs from the Sinatra/Jobim sessions as having “flexibility and delicacy, as if they could be blown about by a soft Brazilian breeze”. They remain among the most listenable and romantic work of Sinatra’s epic career, as well as representing perhaps his finest vocal effort.
About the Author:
David Glisan is a writer specializing in MMA and boxing as well as a published expert on music ranging from heavy metal to jazz. He contributes to many
MMA news websites and provides
UFC news for mainstream sports broadcast and print media. He serves as the music and entertainment editor for The Savage Science, a website covering fight sports and heavy metal music.
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Thursday, July 16th, 2009
by Jack Thompson
With console gaming, one does not only want a superior system equipped with the best graphics or the best processor, or console to heighten their gaming experience. What is comes down to in the end is having an excellent selection of games available that the gamers can really enjoy.
If you are the owner of a PS3 gaming system, you are most likely thinking of what kinds of games to buy to have fun with your gaming unit and to experience the various advancements that the PS3 has to offer. They have powerful processors that are fitted with multiple core chips, enhanced motion sensitive console, and awesome graphics.
In order to find excellent games for your PS3 console, the best thing to do is to go back to the fundamentals of the gaming system, which will allow you to see its strengths and weaknesses and that will lead you to suitable games.
In regards to gaming, one of the strengths of the PS3 is the much-anticipated Reality Synthesizer Graphics Processing Unit. This new GPU has been created in joint effort with one of the biggest leaders of the graphic processing industry, Nvidia. This means that one gets images that seem like they come from the real world. Games that simulate reality such as the Getaway 3 will look spectacular in the PS3.
Other games that are well-suited to the PS3 are those that require sensitive gaming consoles. In keeping with the developments in the gaming world, Sony reformulated its console from the Dual Shock Controller to the Sixaxis controller. The shock that has irked many users has been removed and replaced instead with a controller that can detect six motion types. This means that you have greater control over your game.
Playing racing games with the Sixaxis controller is great because of the newly enriched capability to use your own movements as control for the game. You are simply able to move your controller to the left and in that way be able to move your virtual steering wheel in the same direction as well.
Knowing the basics of how to select the best PS3 game for yourself, you can now examine some of the most favored games of other gamers. Grand Theft Auto IV is one of the most popular games played on the PS3. One of the biggest improvements is the changed Liberty City, which looks better visually than in previous game versions.
An additional feature of Grand Theft Auto IV is that it comes with multi-player functions that allows up to sixteen different players to race through the city. With a better storyline, which now includes a well-written script, that is very humorous.
Metal Gear Solid 4 is another of the best games that can be played on your PS3. The game comes with a great shooting and stealth mechanics that allows players to really immerse themselves in the game. Also, the game comes equipped with one of the most compelling storytelling that a game has yet to present, and is equipped with excellent audio and visuals.
With these tips to choosing and recommended games, you can start truly enjoying your PS3 unit right after the period.
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